Purchased from Sandra Holmes, Collection of Leo Kelly, Sydney; Sotheby’s June 2000, Lot 284

One of the most celebrated Australian Aboriginal artists of the twentieth century,Yirawala was a seminal figure in the contemporary bark painting movement. He was a man of high ritual authority who worked tirelessly to communicate the value of his culture to outside audiences through his art. Yirawala was the most influential of the artists in the Croker Island ‘school’ of bark painting in the 1950s and 1960s. He was a Kuninjkuritual leader with access to a vast amount of religious iconography, whose bark paintings featured the shimmering rarrk (cross-hatching) patterns of the Mardayin ceremony. With their origins in ceremonial body painting, rarrk designs are associated with the power of the Ancestor beings. Yirawala’s style of painting, which included these designs to dazzling effect, influenced many of the best-known bark painters working today.

Purchased form Sandra Holmes, Collection of Leo Kelly, Sydney; Sotheby’s June 2000, Lot 282

One of the most celebrated Australian Aboriginal artists of the twentieth century,Yirawala was a seminal figure in the contemporary bark painting movement. He was a man of high ritual authority who worked tirelessly to communicate the value of his culture to outside audiences through his art. Yirawala was the most influential of the artists in the Croker Island ‘school’ of bark painting in the 1950s and 1960s. He was a Kuninjkuritual leader with access to a vast amount of religious iconography, whose bark paintings featured the shimmering rarrk (cross-hatching) patterns of the Mardayin ceremony. With their origins in ceremonial body painting, rarrk designs are associated with the power of the Ancestor beings. Yirawala’s style of painting, which included these designs to dazzling effect, influenced many of the best-known bark painters working today.