Traditional Artworks in current stockroom

(alphabetically by artist surname)

The Regent Parrot

19th century watercolourist ()

The Regent Parrotearly 19th century

watercolour

inscribed lower right

51 x 44cm

Hillside with rocks, Shoalhaven

Category: Australian Painting Traditional

Arthur Boyd (1920 - 1999)

Hillside with rocks, Shoalhaven

oil on board

signed lower right Arthur Boyd

89 x 58cm

$175,000

Autumn Gums

Category: Photography Traditional

Harold Cazneaux (1878 - 1953)

Autumn Gumsc. 1930

vintage silver gelatin photograph

23.3 x 27.5cm

Provenance

The Cazneaux family estate

Autumn Gums

Category: Australian Photography Traditional

Harold Cazneaux (1878 - 1953)

Autumn Gums

vintage silver gelatin photograph

11 x 15cm

Old Horse Punt “Warrane”

Category: Australian Photography Traditional

Harold Cazneaux (1878 - 1953)

Old Horse Punt “Warrane”c. 1912

vintage silver gelatin photograph

10 x 19cm

Port de Malabar

Category: International Painting Traditional

Charles Fouqueray (1869-1956)

Port de Malabarcirc

Oil on canvas

Essay

Charles Fouqueray was an exquisite colourist who worked in France and travelled extensively throughout the early part of the 20th century. Port Malabar and its companion piece Port du Canton reveal the artist’s fascination with the exotic artistic possibilities afforded by ‘the Orient’. He was a leading member of Academiedes Beaux Arts in Paris and also an official painter for the Navy Department. Fouqueray was awarded the 1909 Prix Rosa Bonheur and the First Prix Indochinein 1914.

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Port du Canton

Category: International Painting Traditional

Charles Fouqueray (1869-1956)

Port du Cantoncirc

Oil on canvas

Essay

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The Artist’s Studio

Category: Australian Traditional

Tom Garrett ()

The Artist’s Studioc. 1940

monoprint on paper

signed lower right

32.5 x 27cm

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Old Cottage by the Pool, Ryde

Category: Australian Traditional

J. J. Hilder (1881 - 1916)

Old Cottage by the Pool, Rydec. 1914

watercolour

signed lower right

17 x 25cm

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Mother and Sons

Category: Australian Painting Traditional

George Lambert (1873- 1930)

Mother and Sons1909

oil on canvas

signed lower left 'G.W. Lambert 1909'

61 x 51cm

Provenance

Sir James McGregor, Sydney;

Sir Charles Lloyd Jones and Lady Lloyd Jones, Sydney;

The Lloyd Jones Collection, James R. Lawson, Sydney, 9 April 1981, lot 706;

Mr Cecil Green, Sydney;

The Estate of the Late Mrs Marjory Green, Sydney;

Important Australian Art, Sotheby’s Australia, Melbourne, 17/05/2011, Lot No. 82;

Private collection, Sydney

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Waterloo Bridge, London

Category: Australian Traditional Works on Paper

Lloyd Rees (1895-1988)

Waterloo Bridge, London1924

pencil on paper

Provenance

Masterpiece Fine Art Gallery, Hobart; Private Collection, Sydney; Mossgreen, Fine Australian and International Art, 21 November, 2016, Lot 129

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Equine Impedimenta (Tully’s Baggage)

Category: Australian Contemporary Sculpture Traditional

Tim Storrier (b. 1949)

Equine Impedimenta (Tully’s Baggage)2019

bronze

H:36 x W22 x L49cm, base length 31.5cm

edition of 50

Essay

Equine Impedimenta (Tully’s Baggage) is an exquisite sculpture of a horse with an assortment of artist’s paraphernalia strapped to its mount. Inspired by the artist’s fascination with horses and the history of our human relationship with them Tim Storrier states, “Horses are beautiful creatures. Their partnership with us is ancient and although not without coercion it has been a wonderfully productive relationship” (Bowral, 2020). Having done numerous studies, drawings and paintings of horses and having collaborated with a master sculptor, Liao Shengxiang, Storrier was inspired to create these bronze maquettes that stand as tributes to these beautiful creatures.

Biography
1949 Born, Sydney
1967–69 Studied at the National Art School, Sydney
2020 Currently lives and works in Bowral, NSW
Awards and Commissions
2017 Awarded Doug Moran National Portrait Prize, Sydney
2017 Awarded a Fellowship of the National Art School, Sydney
2014 The Packing Room Prize, Art Gallery of New South Wales, Sydney
2012 Awarded the Archibald Prize Art Gallery of New South Wales, Sydney
for The Histrionic Wayfarer (after Bosch)
1994 Awarded the AM in the Australia Day Honours for services to
contemporary Australian art
1990 BHP Commission for International Iron and Steel Institute Conference
1984 Awarded the Sulman Prize
1978 Awarded R. M. Ansett Hamilton Art Award
1968 Awarded the Sulman Prize
1967 Awarded Sakura Colour Products Prize

Collections
Metropolitan Museum of Art, New York; National Gallery of Australia,
Canberra; National Gallery of Victoria, Melbourne; Art Gallery of New South
Wales, Sydney; Queensland Art Gallery, Brisbane; Art Gallery of Western
Australia, Perth; Australian National University, Canberra; Deakin University,
Geelong; City of Hamilton Art Gallery, Victoria; Western Australian Institute
of Technology, Perth; Bathurst Regional Art Gallery, NSW; New England
Regional Art Museum, NSW; City of Rockhampton Art Gallery, Queensland;
Museum and Art Galleries of the Northern Territory, Darwin; Wollongong
City Gallery, NSW; Bar Association of New South Wales, Sydney; The
Australian Print Collection, Wagga Wagga; Regional Art Gallery, NSW

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Tiwi Figure from Bathurst and Melville Islands

Category: Sculpture Traditional

Ben Tipungwuti (1916 - 1979)

Tiwi Figure from Bathurst and Melville Islands

natural earth pigments on carved ironwood

65.5cm

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Kunapipi Ceremony

Category: Aboriginal Sculpture Traditional

Yirawala (1897-1976)

Kunapipi Ceremonyc. 1965

ochre on bark

71 x 25cm

Provenance

Purchased from Sandra Holmes, Collection of Leo Kelly, Sydney; Sotheby’s June 2000, Lot 284

Essay

One of the most celebrated Australian Aboriginal artists of the twentieth century,Yirawala was a seminal figure in the contemporary bark painting movement. He was a man of high ritual authority who worked tirelessly to communicate the value of his culture to outside audiences through his art. Yirawala was the most influential of the artists in the Croker Island ‘school’ of bark painting in the 1950s and 1960s. He was a Kuninjkuritual leader with access to a vast amount of religious iconography, whose bark paintings featured the shimmering rarrk (cross-hatching) patterns of the Mardayin ceremony. With their origins in ceremonial body painting, rarrk designs are associated with the power of the Ancestor beings. Yirawala’s style of painting, which included these designs to dazzling effect, influenced many of the best-known bark painters working today.